"Rocking Stars"
What if all performances in the world were made by stars and not just with directors will? What if stars forced them?
"The game has no name"
"Leck mich im arsch"
Sometimes your artistic life influences your private life.
Sometimes your private life influences your artistic life.
"The Day Before"
What if all performances in the world were made by stars and not just with directors will? What if stars forced them?
The piece is based on two sciences : Astrology and Astronomy.
Astronomy was a source for movement material and physical geometry in the space.
Astrology was the main source for concept and score.
Each performer has its own personal way in this piece regarding to his/her zodiac sign.
Five people on stage dealing with their destiny in front of the audience.
Honest and conscious decisions, complex trajectory of the moves and exciting feeling of being a star.
"The game has no name"
Sometimes your artistic life influences your private life.
Sometimes your private life influences your artistic life.
http://vimeo.com/28030378
This piece deals with an issue of personal and artistic life of an artist. Where is the border between personal and artistic life? How does one thing influence another one?
This piece is showing two moments at the same time: action that is going on stage and action that is going meanwhile off stage.
With the help of the composition of W.A. Mozart "Lech mich im arsch" we question how personal we can be on stage? Or maybe our "reality" should be left behind the curtains?
"The Day Before"
The context is important.
I've realized that particular gestures in one place of the world could have different meaning in the other side of the world. In the northern countries people use less gestures for expression while in the south they express themselves a lot through this.
How do you read the person that you talk to?
http://vimeo.com/13532286
I've realized that particular gestures in one place of the world could have different meaning in the other side of the world. In the northern countries people use less gestures for expression while in the south they express themselves a lot through this.
How do you read the person that you talk to?
http://vimeo.com/13532286
"The Superman's Last Supper"
Collaboration between power of movements of Sonya Levin and power of sounds of musician Fedor Fedorovich.
We tryed to be as super as possible.
http://vimeo.com/29009688
http://vniz-karmawkami.livejournal.com/26109.html#cutid1
http://nemo-et-nihil.livejournal.com/16498.html#cutid1
"ZTM" ("Black Out")
"... all in all it is just another brick in the wall ... "
http://www.youtube.com/watch?v=8YvtB2lL_3U&NR=1
http://www.youtube.com/watch?v=8XpBkxKtjKA&feature=related
"Monkey Production"
In 2008 S. met a nice girl with similar interests. Her name was Olga Dukhovnaya. Olga graduated from PARTS and came to Moscow where together with a video artist Konstantin Telepatov founded a multimedia company “Monkey Production”. Later Ondrey Vidlar, performer from Czech Rep. and Sonya Levin joined “Monkey Production”. The time they spent together was amazing and very fruitful.
"Who Let the Birds Out?!"
http://www.youtube.com/watch?v=zkBkKSmFHms&feature=related
http://www.lookatme.ru/galleries/43008
http://community.livejournal.com/ru_mooncake/27402.html?view=170250#t170250
http://nemo-et-nihil.livejournal.com/7321.html#cutid1
"Po.V.S.Tanze" dance company
Is a company based in Moscow.
S. took part in performances “Owen & Mzi” and "Probability Practice".
In difference from other more theatrical projects (such as “Owen & mzi” where S. got a small supporting role)"Probability Practice" was deep and clean body-mind research.
Actually it was the movement laboratory presented without superfluous theatrical receptions. All impulses passing through bodies of dancers, were visible and were covered by nothing.
Music and light have been put in a mode random. That added sharpnesses of sensations and occasions to impulses of artists.
"BDDС"
Boroditskiy Denis Dance Company
Participation in this collective has served as good school of work on details of movements and concentration in work with collective.
“Na.sH” Dance Theatre
It was a small collective and a lot of challenge in the research process.
This experience has sufficed to expand the abilities in plasticity and theatre skills and let S. to understand that to go deeply into thit is absolutely not necessary.
That was the first experimental experience at dance theatre.
This experience has sufficed to expand the abilities in plasticity and theatre skills and let S. to understand that to go deeply into thit is absolutely not necessary.
Nikolay Ogryzkov pieces
Time that S. had spent with Nikolay Ogryzkov and all these people became powerful training of a body and character. All impossible began to seem feasible.
Nikolay Ogryzkov has died in February 2010 but his force and the knowledge that he had passed to everyone who meet him even for one single class continues to advance and to help with difficulties in the work..
Nikolay Ogryzkov has died in February 2010 but his force and the knowledge that he had passed to everyone who meet him even for one single class continues to advance and to help with difficulties in the work..